As we bask in the afterglow of the latest most-watched television event in U.S. history, here are my three favorite advertising-related stories to come out of the Super Bowl (not counting the predictable hyperventilation over the outrageous offensiveness of some ads):
1. Ford’s demand that GM pull ad with the gall to poke fun at Ford.
Nice work on the PR front, folks. Do you really, seriously believe that in a commercial featuring flying saucers, raining frogs (PETA … you’re slipping …) amid an apocalyptic cataclysm predicted by Mexican stone carvers who ran out of space on their calendar, that we really care (much less believe) which truck is the longest-lasting, most dependable, yadda yadda yadda?
Oh, that’s right. You do believe this. You believe this so strongly that you will provide your competitor with publicity worth infinitely more than the $7 million or so GM thought it was spending to place that ad. You believe that I am going to make a decision about buying a truck because a guy in a make-believe end-of-world scenario tells me I should. While he’s munching on a post-apocalyptic Twinkie. C’mon folks, at least throw some J.D. Power stats at me. Something? Anything?
Nice work, everybody. Take the rest of the year off. We’re all doomed anyway.
The obvious message we should take from this little comic episode is: All lawyers are evil. (Except the one I’m married to.)
2. Chrysler’s disappearing “Halftime in America” ad.
This was strange. Chrysler hires Dirty Harry to star in and narrate what I thought was a really good ad – a gritty, sorta feel-good ad that promoted stuff like Detroit, optimism, resilience, hope and, you know, Chrysler. (Guess Clint’s no longer associating himself with Fords.) Nice little pun with “halftime” (that’s when it aired during the game), and you have a creative, moving piece.
Except that suddenly, immediately after the game, the ad was nowhere to be found on YouTube. As the WSJ pointed out, this was a huge blow to Chrysler because unlike most other spots, this ad hadn’t been made available on the Web prior to the Super Bowl. So post-game hits, when the ad was fresh in viewers’ minds, were crucial.
So what happened? Google (which owns YouTube) said it received a “take down” notice from a third party claiming to be authorized by the NFL. The idea was that since the NFL owns the game – and therefore the halftime of the game – that everything that aired during halftime was protected by copyright and owned by the NFL.
Only in this case … that was wrong. The Chrysler ad was not an actual part of the halftime, so the NFL had no more rights to it than they did to any other commercial that appeared during the game. The ad finally reappeared on YouTube late Monday morning, and you could make the case that it’s generating even more views now than it would have if this mistake hadn’t been made.
But that’s not the big problem. The big problem, as Jalopnik pointed out in an excellent summary of the episode, is that this is a sneak preview of the probable outcome should SOPA and PIPA ever stumble into law. Some guy emailed Google – in error, whether intentionally or otherwise – and without providing a shred of evidence (because there wasn’t any) to back up the copyright claim, had Chrysler’s video pulled.
Think about the same thing happening again, only this time sanctioned by law. (My friend David Meerman Scott summed everything up nicely last month in this appropriately castigating post.) The Eastwood ad episode serves as a practical example, and, I hope, a warning and a deterrent. Too bad Chrysler paid the penalty.
3. I will hire Will Ferrell TODAY, not tomorrow, to advertise for me.
In what appears to be a brilliant stroke of viral marketing, Old Milwaukee beer placed a single ad, in a single local market – North Platte, Nebraska – during the Super Bowl, starring Ferrell. In the ad, he makes a long walk through a golden field of wildflowers, and as he nears the camera someone tosses him an Old Milwaukee. He opens it (it sprays everywhere), holds up the beer and says, “Old M –”
That’s all he gets out, because the commercial ends at that point. If you know anything about Will Ferrell, you know the truncation was intentional. We also know this because the name of the spot is actually “Field Cut Off.”
I cannot begin to express to you how utterly awesome I think this is as a marketing strategy. Pabst, which owns Old Milwaukee, paid next to nothing to advertise in North Platte (I’ve been there several times, they got their money’s worth) and from this one small placement I’m certain the ROI is absolutely enormous. (It’s actually infinity, as you’ll see in a minute.)
The commercial became something of a mystery – people might have heard a rumor about it from a friend, or seen it referenced on the Web somewhere, but whatever the reason, it started generating interest and some major traffic. CNN reported on it. Of course, Deadspin had it.
So naturally, I did exactly what Old Milwaukee was hoping I’d do, which is that I discovered that Ferrell has been doing simple, hilarious ads for the beer for quite awhile now. Who knew? (You knew? Yeah, right.)
He’s gone fishing in the Mississippi River in Davenport, awakened after a binge on a rooftop in Terre Haute, and tossed a can of Cold Mil from atop the Pabst building in Milwaukee, among other things.
And here’s the thing: Ferrell did all these ads for free (they were his idea, actually), because he’s Will Ferrell, and he does stuff like this, which is what makes him fantastic. AdWeek covered the story back in December when the first videos began surfacing – posted solely by fans, by the way, not by Pabst. At the time, the article gave the ads only so-so reviews as viral vehicles, but that has surely changed since Sunday.
Anyway, I love everything about this. Even the beer, which was a staple of our summer softball league team growing up in Chicago. In recent years, Pabst Blue Ribbon has enjoyed a major renaissance as a slightly-upscale-yet-blue-collar substitute for Budweiser. Could Will Ferrell be helping Old Milwaukee do the same? And doing it gratis?
I like this so much I’m prepared to forgive him for Step Brothers.